24” x 24”, Acrylic on Canvas, 2025
“Fork in the Road” presents viewers with an immersive decision point - two diverging paths through a dreamlike forest where reality blurs into something more ethereal. Using divisionist techniques, the trees shimmer with separated color strokes that create an atmospheric luminosity, suspending the scene between seasons - neither fully spring nor fall, but somewhere in transition.
The painting positions the viewer at the moment of choice itself. Both paths are equally beautiful, equally mysterious, their endings obscured by light and foliage. This is not about right versus wrong, but about the tension between inner knowing and external fear - that persistent question of whether we’ll trust the quiet voice that already knows which way to go, or let protective mechanisms keep us frozen at the crossroads.
Part of the “Urban Windows” series, this work continues my exploration of bringing immersive natural experiences into urban spaces, while introducing the conceptual framework of “Little Confessions” - acknowledging the universal human experiences we typically navigate alone. The divisionist approach reinforces this duality: up close, the trees are fragments of discrete color; step back, and they cohere into something whole and luminous - much like how clarity emerges when we gain perspective on our own choices.
Shipping: Contact for quote. Free local delivery available in Dallas/Fort Worth area.
24” x 24”, Acrylic on Canvas, 2025
“Fork in the Road” presents viewers with an immersive decision point - two diverging paths through a dreamlike forest where reality blurs into something more ethereal. Using divisionist techniques, the trees shimmer with separated color strokes that create an atmospheric luminosity, suspending the scene between seasons - neither fully spring nor fall, but somewhere in transition.
The painting positions the viewer at the moment of choice itself. Both paths are equally beautiful, equally mysterious, their endings obscured by light and foliage. This is not about right versus wrong, but about the tension between inner knowing and external fear - that persistent question of whether we’ll trust the quiet voice that already knows which way to go, or let protective mechanisms keep us frozen at the crossroads.
Part of the “Urban Windows” series, this work continues my exploration of bringing immersive natural experiences into urban spaces, while introducing the conceptual framework of “Little Confessions” - acknowledging the universal human experiences we typically navigate alone. The divisionist approach reinforces this duality: up close, the trees are fragments of discrete color; step back, and they cohere into something whole and luminous - much like how clarity emerges when we gain perspective on our own choices.
Shipping: Contact for quote. Free local delivery available in Dallas/Fort Worth area.
